{"id":769,"date":"2013-11-15T11:31:42","date_gmt":"2013-11-15T11:31:42","guid":{"rendered":"http:\/\/www.galeriafoksal.pl\/?p=769&lang=pl"},"modified":"2014-03-04T15:33:32","modified_gmt":"2014-03-04T15:33:32","slug":"z-prawdopodobienstwem-ze-ktos-zobaczy-prace-projekty-i-dokumenty-z-kolekcji-i-archiwum-galerii-foksal","status":"publish","type":"post","link":"https:\/\/www.galeriafoksal.pl\/en\/z-prawdopodobienstwem-ze-ktos-zobaczy-prace-projekty-i-dokumenty-z-kolekcji-i-archiwum-galerii-foksal\/","title":{"rendered":"WITH A PROBABILITY OF BEING SEEN. WORKS, PROJECTS AND DOCUMENTS IN THE COLLECTION AND THE ARCHIVES OF THE FOKSAL GALLERY"},"content":{"rendered":"

Opening: 15.11.2013, 6.00 pm
\n18.11.2013 – 3.01.2014
\nCurated by Micha\u0142 Jachu\u0142a, Katarzyna Krysiak, Justyna Weso\u0142owska<\/p>\n

The title of the exhibition echoes that of Lawrence Weiner\u2019s solo exhibition at the Foksal in 1979, while the exhibition itself is a subjective overview carried out by three curators on the institution\u2019s history and its present place in the international and Polish cycle of art.<\/p>\n

The show encompasses selected holdings from the Foksal\u2019s collections; works which originated in response to invitations to exhibit at the gallery, as well as catalogue and exhibition designs, publications and archival materials in the form of photos and documents. It includes works by artists such as Arty\u015bci Anonimowi, Miros\u0142aw Ba\u0142ka, Robert Barry, Krzysztof M. Bednarski, Ben, Jerzy Bere\u015b, Christian Boltanski, Daniel Buren, Tomasz Ciecierski, Stanis\u0142aw Dr\u00f3\u017cd\u017c, Druga Grupa, Joel Fisher, Zbigniew Gostomski, Koji Kamoji, Tadeusz Kantor, Anna Beller, Edward Krasi\u0144ski, Robert Maciejuk, Daniel Malone, Marzena Nowak, Anna Ostoya, Jadwiga Sawicka, Miko\u0142aj Smoczy\u0144ski, Henryk Sta\u017cewski, Andrzej Szewczyk, Leon Tarasewicz, Zygmunt Targowski, Lawrence Weiner, Krzysztof Wodiczko, Honza Zamojski.<\/p>\n

In presenting this sizeable group of works and archival materials, the curators endeavour to examine the organic concepts written into the Foksal\u2019s history, concepts such as \u2018institutional memory\u2019, \u2018place\u2019, \u2018archive\u2019, \u2018documentation\u2019 and \u2018programme\u2019, as well as the works of the people who have collaborated with the gallery over the course of five decades.
\nContemporary readings of texts which were written in the Foksal milieu and are now classics in the fields of art history and history are of particular significance in the context of the exhibition. They include such writings as An Introduction to the General Theory of PLACE<\/em> (1966), What Do We Dislike About the Foksal Gallery PSP?<\/em> (1969), The Living Archive<\/em> (1971) and Documentation<\/em> (1971).<\/p>\n

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